This is an extract from a keynote address by film maker and journalist Max Stahl, director of the Centro Audiovisual Max Stahl Timor-Leste (CAMSTL), at the 20th anniversary conference of Pacific Journalism Review in November 2014. Stahl screened the first part of an ‘experimental’ film, The Reconciliation—a kind of ‘anti-news’—and spoke about his methodology and stylistic approach in achieving something mainstream news, almost by definition, cannot.
